Brad Vance Script Archive
A LITTLE TOO BROKEN – Version 7 (August 2018) of my feature length screenplay adaptation of my novel! LATEST VERSION incorporates feedback from coverage which gave version 6 a 7.9, with the comments “This is a deeply moving story about an issue rarely explored in TV and film with characters who I believe an audience would be cheering for. I would say it’s highly marketable.” Quarterfinalist, Shore Scripts Drama Comp; Quarterfinalist, WeScreenplay Drama Comp; Semifinalist, Diverse Voices Fall 2017; Finalist, Reddit 2017 /r/screenwriting comp. 10/23: SEMIFINALIST and in consideration for advancement at Final Draft Big Break Contest (Diverse category)!
CRUNCH (Pilot episode) NOW ON VIMEO, WATCH HERE! The pilot for my NEW web ensemble series! When Reno’s housing crunch leaves would-be renters with few options, a tech worker who’s lost his job to outsourcing splits his basement into six Hong-Kong style cubicles.
DID I MISS ANYTHING? One by one, a man watches his friends time travel into the future, where they may or may not be welcome.
THE RED STUFF – Two documentary filmmakers risk their lives to tell the story of the American underclass in the year 2030.
WAITING FOR A TOW – Two flat tires are making Alice and Terry late for their father’s funeral, but it may not have been an accident.
SEE YOU AT THE TOP – A hike up the mountains proves more difficult than expected.
BASED ON AN IDEA BY – Andy made it big in Hollywood using Ben’s big idea. But he’s constitutionally incapable of giving Ben the only thing he wants in return.
LONG DRIVE FROM HOME – Kenny and Cord are on a road trip. Cord doesn’t know where they’re going, or why he can’t put his suitcase in the trunk.
DISTRACTED DRIVING – When Busy Beau and Screen Star Stormy get in a fender bender in an LA intersection, the question of who’s at fault gets more complicated as a starstruck fan, teen idol Tanner Chatum, and a non-judgmental officer of the law all come together in a far more catastrophic collision.
IF ONLY – It’s not easy being an agent of the Counterfactual Intelligence Agency, especially when you’re assigned inside Adam’s mind. It’s their job to get him to look forward instead of backwards, and good luck with that.
THE STRONG SILENT TYPE – Judith is dying to show off her new boyfriend Sam to her intern Jezebel, and Sam would love to get a word in edgewise. Good luck with that, Sam!
THE JOB INTERVIEW – Sean doesn’t want this job, but he’s interviewing for it as a favor to a friend. Stacey very much wants him for the job… even as Sean’s conditions grow ever more outrageous.
LOVE IS LOVE – Tom left Alice to marry Nick. They’re all become such good friends that now Nick is leaving Tom to marry Alice.